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Nature themes and the power of the elements have always been at the Stranglers core painting sonic pictures out of the sensual power of the elements. Team Stranglers are on fine form — this is no tribute band and very much an ongoing creative concern. The album comes in all shapes and sizes and the earlier clutch of tracks released to the public only give part of the story with their melodic introspection.

There is plenty of old school tough gnarl on the record like on the second track that rasps in with the rat pack mentality of the Rattus period. The playing on the track is faultless and like the rest of the album, the musicianship is on another level. Since the Norfolk Coast album its been a journey of rediscovery as the band woke from their nineties slumbers.

Dark Matters is full of classic twists and turns as the band make sense of their own eclectic nature. There is so much diversity on the record as the band explore all their nuances. The Stranglers were never really playing by the rules — they were out of step even in a time when being out of step was au fait.

The Stranglers have always prided themselves on their range of styles, their restless creative range has always been the core to their experience and Dark Matters further explores this making the early promotion of the record tricky. Just how do you choose a defining single from an album as far ranging as this? Even at their thrilling belligerent gonzoid peak there was always something else about the Stranglers. The late period band further explore these styles trying to make sense of who and what they are.

If the previous two tracks are the sensitive melodic Stranglers they are not the sound of the whole album — fear not doc marten wearing older fans there is plenty of snarling Stranglers here like on No Mans Land which, like Payday a couple of tracks further down the album are full of plenty of snarling action, fast running bass, scratching scrapping guitars and guttural vocals with the vowels bent out of shape and killer hooky choruses — classic Strings.

Both tracks also have killer bass lines with Payday having one of those classic Burnel Baroque Bordello style 4 string workouts as Baz delivers an unlikely vocal about Alexander the Great and Greek classics! Both songs also great old school Stranglers intros. The introspective sparse acoustic confessional of The Lines deals succinctly with ageing The Lines and Down is a lush melodic affair and a sumptuous mournful ballad dealing with the black dog of depression.

The atmospheric The Last Man On The Moon is a bass driven epic with added classic Stranglers and already a live favourite with its driving bass line and film score vocal harmonies. White Stallion has a 4 to the floor disco kick drum, a driving bass intro, a pummelling post punk groove, a choir, berserk strings and an off kilter melody. This is a dystopian film score and it really works in its bonkers brilliance.

Breathe sees off the album with a quirky and atmospheric of jazzy soundscape that drips with a perfumed sensuality that sinuously builds into a triumphant and climactic ending even with its introspective nature. It could also be a launching pad to a new era — there are plenty of enticing angles left to explore and plenty of creative powder kegs left.

Being this inventive this deep in a career curve is unexpected even after the bold statements of the Norfolk Coast, Suite XVI and Giants albums that put the band back in business. Dark Matter is bigger, bolder, more eclectic and wider in scope. It somehow sounds both idiosyncratic and modern. Ironically for an album that deals with the ghosts of the past it is also surging forward and shows that daring to explore your own creative obsessions is the only way forward.

Forty-four years on from their first hit and almost 10 since their last album, The Stranglers have weathered storms and return with a new record dedicated to late keyboard player Dave Greenfield. If we point out that opening track Water was written as a contemporary response to the Arab Spring when anti-government protests and uprisings took place in much of the Arab world that gives you an idea of when the songs began to take shape.

Some other ideas have even earlier origins. Maybe that was inevitable, given that two cornerstones of that sound are now no longer in place. The elder statesman of the group, drummer Jet Black took a dignified bow out of the band as an active member in , and the declining health of the now year-old prevents him from having an active working role in the band.

Then the band were dealt another, more heart-breaking blow when Greenfield passed away in April , after he caught COVID while in hospital with heart problems. When Classic Rock talks to bassist and founder member Jean-Jacques Burnel in southern France, where he now lives, he pauses for thought before addressing this understandably emotional subject.

The others talked me into keeping it going. And If You Should See Dave… is one of several songs on the new album to touch on issues of ageing, relationships and mortality. His wife also loved it. When we saw the video it was lump-in-the-throat time.

And so the surviving Stranglers consists of Burnel, the sole remaining founder member, and Warne, the guitarist who took over as vocalist in but who has been with the band since , along with drummer Jim Macaulay, who co-wrote several songs on the new album. Back in May, when trying to meet up with his bandmates for the first time in 16 months, while en route to Calais Burnel was told that his PCR covid test had come back positive.

He had to return home. Given that Burnel is 69, well inside the generations that are more at risk from the virus, he was perhaps fortunate not to suffer any symptoms, and talks of the episode with a faint air of puzzlement.

But then everyone I had been in contact with in the week before, they all had to test and they were all negative. So maybe mine was a false positive? He finally made it across the Channel to the UK in June, and plans to be involved in promotional activities for the album here, as well as touring with the band from January. Burnel endorses these sentiments. Such as refusing to be vaccinated because you believe the government is trying to plant a chip in you or something. These sorts of lyrics reflect a band who, while having voiced some pretty boorish sentiments, have always been unafraid to experiment and to make social comment.

But I always thought we did. Although Jet Black is still an honorary band member, Macaulay has been drumming with the band for nine years, while Baz Warne has been a Strangler for 21, first as guitarist, now as singer — a considerably longer tenure than original Stranglers frontman Hugh Cornwell. Is this content inappropriate? Report this Document. Description: List of MAC. Flag for inappropriate content. Download now. List of Amc. Related titles.

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